Forming within the period of MySpace and ongoing censorship, California rockers Hollywood Undead emerged from the again alleys of their tinseltown namesake armed with a shared ardour for gritty hip hop, industrial metallic, and fairly actually all the things in between.
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Previously famend for his or her use of masks, larger-than-life performances, and staunch genre-defiance, the continued relatability behind Hollywood Undead’s depth has firmly been pushed by the group’s shared tumultuous upbringing amongst gangbangers, drug sellers and low-cost booze in Hollywood, California. But whereas the fallacy of the American Dream could also be increasingly more obvious after the previous few years particularly, it’s in 2022 and on the band’s just lately launched eighth studio album Hotel Kalifornia that the Hollywood Undead story is laid naked for the world to see; an amalgamation of heartbreak, fortitude, and artistic exploration crafted by a bunch of greatest buddies who’ve relentlessly and collectively gazed to the celebs no matter what life has thrown at them alongside the way in which.
An album that bleeds intimacy and depth in equal measure, Hotel Kalifornia additionally showcases how far Hollywood Undead have come as musicians within the 15+ years of their existence. And whereas their combative stylings are extra relatable than ever with the state of the world round us all, the brand new album, which dropped on Friday August 12 by way of BMG, additionally rigorously snapshots the band’s total journey, as vocalist Johnny 3 Tears revealed this week to Hysteria Magazine.
“It feels great to have Hotel Kalifornia released, especially after what everybody went through with COVID-19,” shares Johnny. “It actually created a unique vitality throughout the recording course of, it simply feels good to have the ability to put out music once more and see the followers.
“First and foremost I just hope people appreciate the songs and that it makes them feel something. That’s always my first wish. On top of that I believe we all get so centred in whatever bubble we live in, it’s very easy to leave everything else behind. And there was a message in Hotel Kalifornia along that line: You can fence yourself off from the rest of the world, but you cannot fence the rest of the world out”.
With tracks on Hotel Kalifornia continuously skirting the traces of nu metallic, rap, punk, and stomping pop, there’s an simple cornucopia of types to digest throughout the area of 14 tracks. But whereas Hollywood Undead have beforehand publicly declared and embraced their industrial hip hop leanings particularly, it’s the truth is the Fab Four themselves that play an particularly vital position for Johnny himself, as he explains.
“In terms of artists I listened to when I was younger and who that influenced me earlier on, The Beatles come to mind because we all live in their world,” says Johnny. “I also love the Deftones, Creedence Clearwater Revival, Beastie Boys, Wu-Tang Clan, Nine Inch Nails, and many more. They all had an effect on me that changed me forever”.
The world retains getting weirder, and it provides you a endless provide of inventive output. Just after I assume I’m finished, one thing within the universe shifts and re-inspires me. Music is remedy for a lot of, many individuals, together with myself. Without it I might be a madman.
Thematically grappling with the juxtaposition between the “haves” and the “have-nots” on this planet and straight impressed by the rising price of homelessness and value of dwelling within the band’s house state of California, Hotel Kalifornia provides loads of stadium-ready moments amongst blazing introspection; however two songs particularly maintain a particular place in Johnny’s personal coronary heart.
“World War Me comes to mind, just because I’m fascinated by the dichotomy of self versus self,” muses Johnny. “That’s the greatest fight all of us have as individuals. And also Hourglass because it’s about our childhood growing up hoping we can make music, and coming full circle and acknowledging those dreams”.
Balancing delectably lurid and darkish overtones by way of a current music video for his or her monitor City Of The Dead, Hollywood Undead are undeniably brazen showmen when the setting requires it, whether or not by way of Beetlejuice-esque music movies or their overarching razor-sharp and punctiliously cultivated aesthetic, that has since advanced into the group not donning their beforehand trademark masks. But even after a lot time handed, Hollywood Undead proceed to show they’re totally nobody trick pony, with a particularly healthful fixed that has adopted them all through their careers.
“Tim Burton was definitely an inspiration behind City Of The Dead,” says Johnny of the band’s current visible opus. “It was a mix of Beetlejuice and Edward Scissorhands, I really like the suburban setting of Edward Scissorhands the place all the things appears manicured and exquisite with the darkish undercurrent.
“But regardless of a number of the darker tones, one of many greatest constants for us as a band in any case these years is our friendship. We had been very lucky as a result of we now have been buddies since we had been little children, and being in a band is clearly only a manifestation of that. When the going will get robust we are able to at all times depend on the connection we’ve had with one another since we had been little children.
“The world keeps getting weirder, and it gives you a never-ending supply of creative output. Just when I think I’m done, something in the universe shifts and re-inspires me. Music is therapy for many, many people, including myself. Without it I would be a madman”.
For a band now in charge of eight studio albums, numerous excursions, tens of millions of streams, and no indicators of slowing down anytime quickly, there’s a definite show of boundless enthusiasm and shared pleasure throughout the Hollywood Undead board, regardless of the group’s tough private origins and forthright inventive id. But for a band globally famend for his or her occasional moments of bombastic creative mayhem, there’s one vital factor that holds the important thing for the band’s seismic shift from underdogs to platinum-certified icons of the trendy rock world.
“If our career ended today I would be proud of it,” Johnny reveals. “I’ve discovered to be thankful for what I’ve with out interested by tomorrow. I simply take it a day at a time and I couldn’t be happier to be the place we’re at now.
“I guess despite all our antics, everybody in this band has a degree of depth to them that I don’t think people know about. Obviously we have our music, but my real connection to the fans is much deeper than that; the pain I feel is the pain they feel. That relationship is something I value beyond anything else”.
Hotel Kalifornia is out now by way of BMG.